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I remember a time when: 

arts subjects in schools were encouraged and children under 11 were helped, not to pass tests, but to blossom as individuals and to love learning. In my secondary school I had the chance to learn French, German, Latin, Greek & Spanish, art & pottery.

Teachers were happy to give up their after school time to arrange sports matches, direct plays, and help us with drama competitions, including, at my school, teaching us how to be a Greek chorus.

The Belgrade Theatre led the way with a permanent Theatre in Education company that went into schools and performed plays of relevance to their young audiences. Theatre in Education enabled children to enjoy live theatre for the first time; quality writing and performance of this theatre spoke directly to their hearts and growing minds,respecting their experience.

The network of Theatre in Education companies has vanished, along with the philosophy that arts funding should extend to children and people who cannot afford theatre tickets. Arts are now a business.

Like Thatcher, I came from a working class background – both my parents left school at 16. We had no money to spare for holidays abroad – we went and stayed with my grandparents. My education relied on free and excellent public libraries and a grant system that enabled me to go to university [the first person in my family to do so]. All through my childhood and young adulthood I could absolutely rely on free health care. 

As a result of this upbringing, I did not have a burning wish to make money. I wanted to work with people who had very little opportunity to make their voices heard. I worked in the poorest districts of Newcastle on Tyne, with travellers in Scotland and the west midlands. I saw there was still poverty and hopelessness where people felt left out of the affluent society that Thatcher encouraged. Her dreams were of goals that could simply be achieved by having more money. She was always a woman who knew the price of everything, and the value of nothing. And those values entered into the minds of a whole generation of children who now hold the reins of power and cannot understand that some people would rather spend their time helping other people.

That was society as I knew it. I still know people who cherish this idea, but they are getting older and the vision that we once shared is no longer accepted as anything but batty individualism. 

I’ve been an actor, director, puppeteer, playwright and novelist all my working life. Choosing the arts as a profession guarantees living on a shoestring. I’ve been lucky. I have never drawn the dole, or felt constricted by a lack of money. My life has been so rich in other things that matter more to me. 

Today as her funeral procession moves through London my heart will be with the silent protesters who will turn their backs on her coffin. I mourn what we have lost. I mourn the lack of strong and principled politicians who could stand up to her juggernaut of confident delusion, and show us, society, their voters, that there are other ways of thinking.

 


Oh dear oh dear oh dear. I have just done a search on WordPress using ‘franceskaywriter’ and was told there was NO RESULT. This suggests to me that I am leaving far too long between blogposts. Sorry about this.

What have I done since my last one?

Been to the fabulous DINGLE FILM FESTIVAL ,  saw many fine films, two of which I urge you to catch next time they are showing:

THE PERVERT’S GUIDE TO IDEOLOGY [must see for any media studies students]

LORE [wonderfully photographed with stunning performances by three children on a journey through a dystopian German landscape at the end of WW2]

And I declare an interest in the exciting premiere of a film directed by Maurice Galway, music by Nico Brown: PAULINE BEWICK: YELLOW MAN, GREY MAN is a frank and revelatory look at this extraordinary artist and her work….

Here is the full programme for you to gnash your teeth over if you missed it:

http://www.dinglefilmfestival.com/programme/sunday-17th/pauline-bewick-yellow-man-grey-man/

Next blog on my strange journey through the landscape and into the trousers of Thomas Hardy will follow soon!


How does everyone do it?

The blog, the Facebook pages [two in my case], the online writers’ groups and communities [three at least], the email addresses [two] and facetime with real people? 

I have to let something go. That is my tragedy. Choosing which one/s  is my dilemma. 

Any suggestions gratefully acted upon.


My – as I thought – sweet and innocent historical novelist friend Karen Charlton made a weird discovery while researching her family for a new novel.  She discovered that her ancestor, Jamie Charlton, was convicted of Northumberland’s most notorious robbery back in 1810.

FK: So,  Catching the Eagle,  your debut novel,  is based on the true story of Jamie Charlton, and now we discover that potentially you have more than one skeleton in the closet.  Another ancestor of yours, William, brother of the unlucky Jamie, perjured himself in court to try and get his sibling off the charge. Mm, nice ancestors you’ve inherited…. it’s a while since I’ve had the opportunity to interview someone who openly admits that they are descended from a long line of thieves and perjurers.

KAREN: Er, thank you.  I hope it makes a refreshing change for you.  Although so far we have no evidence that William was ever charged with perjury.

FK: But did he do it?

KAREN: Probably.

FK:  Okay, I’ll take your word for it. So how did you discover this nest of old family lags?

KAREN:  We were researching our family’s history some years ago.  One day I was sitting reading my messages and opened one from a genealogy researcher who said that Jamie Charlton had been convicted of stealing the rent from Kirkley Hall in Northumberland and sentenced to transportation.  When we shook our family tree – a convict fell out.

FK: How much did he steal?

KAREN: £1,157.  This was quite a lot of money back in 1810.

FK:  Were you surprised?

KAREN:  Yes.  I reached for a large Bacardi and couldn’t stop giggling for days.  When my elderly Grandmother had first met my husband she had said she thought he was a ‘wrong ‘un.’  I now had proof that the Charltons were all ‘wrong ‘uns.’ I kept reminding my husband of this.  Still do, in fact.

FK: Ah, so the felonious ancestor is actually his blood relation – not yours?

KAREN: Yes: Jamie Charlton is a direct ancestor of my husband and children.

FK: [stops for shivers to run up and down spine at this thought] Mm.. Is the burglary gene hereditary?

KAREN: I don’t believe so.  But my children are only teenagers – there’s plenty of time to find out yet.

FK: So how did your husband react to the discovery that he had a jail-bird roosting in the branches of his family tree?

KAREN: He was quite upset, especially when we learned that Jamie’s conviction was controversial – even by the dodgy standards of the Regency justice system. He felt sure that Jamie Charlton had been framed and that the whole thing was a miscarriage of justice.

FK:  So you went ahead and wrote the novel anyway?

KAREN: Absolutely.  The perfect plot for a historical novel had just fallen in my lap.  I wasn’t going to let that pass me by.  I particularly enjoyed creating the characters of Detective Stephen Lavender and Constable Woods, who were brought up from London by the worried landowner to help solve the crime.  When the first seeds of a plot for my second novel, The Missing Heiress, began to grow in my mind I decided to use these two characters again; the dialogue and rapport which developed between them was fun to write.

FK:  The Missing Heiress will be published by Knox Robinson Publishing on December 6th.  Is that also based on the true story of a load of old Charlton Crims?

KAREN: No, The Missing Heiress is pure fiction.  It‘s a Regency whodunit revolving around the mystery of a beautiful heiress who vanishes from a locked bedchamber.  But Stephen Lavender was a real historical figure, one of the first principal officers with the Bow Street magistrates’ court in London.

FK: A Bow Street Runner, eh?  Did he always operate out of London?

KAREN: No.  He became the Deputy Chief Constable of Manchester after the formation of the police force by Sir Robert Peel in 1829.

FK: So ultimately, Stephen Lavender, the hero of your second novel, is the man who placed your husband’s bad Great-Granddad in the dock?

KAREN: Yes, but I don’t hold that against him.  When the first seeds of a plot for this whodunit began to germinate in my head, as far as I was concerned there were only two policemen in England who could crack the case.

FK:: Fair enough.  But tell me –  are you still married to this feloniously descended Charlton chappy?

KAREN: Yes.  Why?

FK: Well, far be it from me to make trouble, but it seems to me that writing one historical novel full of details about your hubby’s devious ancestor – and then a second book which glorifies the detective who arrested and convicted him – might strike him as excellent grounds for a divorce.

KAREN:   We’re sound.

FK:  Delighted to hear it. And I suppose the royalties help lighten the embarrassment.  So tell me, have you uncovered any more shady relatives to fictionalise?

KAREN: No.  But we haven’t researched his mother’s family tree yet.

FRAN:  Shameless or just incredibly brave? Only time will tell.  The Missing Heiress  is published on 6th December.  More details can be found on Karen’s website: www.karencharlton.com     oh, and divorce lawyers touting for business can contact her there directly.

 

 

 

The Missing Heiress on amazon.co.uk  : http://www.amazon.co.uk/Missing-Heiress-Detective-Lavender-Series/dp/1908483709/ref=sr_1_1?ie=UTF8&qid=1354112715&sr=8-1

 

The Missing Heiress on The Book Depository (Free Worldwide Delivery):  http://www.bookdepository.co.uk/Missing-Heiress-Karen-Charlton/9781908483706

 

Website address:  www.karencharlton.com

 

 

 

Reblogged from Síle Looks Up:

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On Saturday I went to Inis Bearachain in Conamara with my sisters, their husbands, two small people and a friend whose father came from the island. We were going to visit a very particular art exhibition as part of Tulca, a multi-venue visual art festival. This is our afternoon in pictures.

We drove to Leitir Calaidh, got on a boat at the pier and sailed out to the island.

Read more… 628 more words

My friend Sile sent shivers down my spine with this post. It's like the haunting tune of 'Cape Clear' - yearning, joyful, lonely, questing.

..who wants to give copies of her new novel to various people – maybe even you. The problem is, it’s an ebook, and the publisher has no gift voucher system. My scatty literary sister is thinking of sending her friends folding money and asking them to buy it on Amazon. Anyone got a better idea?

http://www.crimsonromance.com/upcoming-releases-romance-ebook/act-of-love/

And you might have noticed, I don’t know how to create proper hyper links in this blog. Can anyone tell me how to do it? Yes, I know, I know – I am as dippy as she is. Please don’t tell her, she will only gloat.


But sadly, you can’t because the run has just finished in Cardiff. A new play by Clare Bayley about the rendition flights over rural England during the war with Iraq. Theatre of things we would rather not think about. And a play that takes courage to write. 

http://www.hampsteadtheatre.com/whats-on/2012/blue-sky/

Thanks to the cast for an inspiring, interactive evening.

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